‘Confronting the histories of violence and wealth on cotton plantations in the Southern United States, Talking Back to Power proposes a reclamation of black visibility’ A series of formal self portraits where C Rose Smith poses in the homes of original cotton plantation owners on location in Tennessee, South Carolina and Louisiana
Art installation, audio visual equipment hire, installation and media preparation – ADi
To produce 252 square metres of continuous full colour moving image on the gallery’s perimeter walls ADi installed thirteen Epson EB-PU2220 20,000 lumen projectors with UST lenses plus three more for the introduction wall.
Photography: Installation views by Hugo Glendinning. Courtesy Refik Anadol Studio and Serpentine.
The second central gallery space features eight 85″ Samsung The Frame QLED screens
Featured image: Untitled (I shop therefore I am), 1987/2019 Single-channel video on LED panel, sound, 57 sec.
ADi installed multi channel projections, numerous LED walls
left: Untitled (No Comment), 2020 Three-channel video installation, colour, sound, 9 min. 25 sec right: Untitled (Artforum), 2016/2020 Two-channel video installation, silent, 4 min. 42 sec.
left: Untitled (Your body is a battleground), 1989/2019 Single-channel video on LED panel, sound, 1 min. 4 right: Pledge, Will, Vow, 1988/2020 Three-channel video installation, sound, 5 min. 35 sec
Audio visual content preparation, equipment supply and installation -ADi
Photographs courtesy of Serpentine Galleries. Photography- George Darrell
An exhibition exploring the impact of women on the evolution of technology. It includes the following artists: Violeta Ayala, Yarli Allison, Lisa Jamhoury, Rebecca Smith, Rebecca Allen, Donna Cox, Nonny de la Peña, Toni Dove, Claudia Hart, Margaret Minsky, Ellen Sandor, Nicole Stenger, Tamiko Thiel, and Peggy Weil.
Art and audio visual installation, display furniture fabrication, graphics and photography – ADi
‘Viva Voce’ Keith Piper, 2024. Multi-channel video installation. 22 minutes
A film installation, commissioned in response to the Rex Whistler mural ‘The Expedition in Pursuit of Rare Meats’ which was painted directly onto the walls of a lower floor restaurant in Tate Britain in the 1920’s