Commissioned by Landsec Group, part of The Four Winds public art collaboration between Fabio Lattanzi Antinori, fellow artist Eva Berendes, Maich Swift Architects and Producer Aldo Rinaldi. The Invisible Compass is a site-specific, permanent texted-based digital artwork and real-time clock, suspended 5 meters above the central plaza in Cardinal Place (Victoria, London). The artwork measures time by counting the hours and minutes since today began or until tomorrow arrives. An AI then suggests places to explore, either out in the real world or imagination, based on that time.
ADI were sub-contracted by The White Wall Company, to deliver technical production of this digital artwork. The project involved consultation and sophisticated artwork development in collaboration with the Artist and AI Developer. The artwork includes two large LED video rings, with the largest upper display reaching 8K video width and a circumference of 28m. A third ring of 60 LED strip lights was arranged to resemble minutes of a clock and is fully DMX-controlled and synchronised with ADi’s bespoke playback system. The artwork runs 24/7 with distinct day and night modes. It utilises specialist BrightSign and JavaScript programming, handling content playback and coordination between lighting and video elements.
Fabricated and installed by: the White Wall Company. AI text generation software development: Pierre Tardif
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Tate Turner Prize 2024 – Jasleen Kaur and Delaine Le Bas
Multiple artists, designers, researchers, activists and Kings College students explore the health of our planet and the alliances we need to thrive – with eleven installations in the first floor galleries
Art and Audiovisual installation by ADi. This includes fabrication of a circular projection space with curved screen for a 2 channel curved and edge-blended projection, multiple suspended artworks : the installation of a 4.5 metre long grown grass artwork suspended over the stairs and another in the entrance area along with the banners throughout designed by Fado Fado. ADi also fabricated AV plinths and thermochromic painted furniture
A survey of 20th century art where artists engaged with the technology of the era from late 1950’s to 90’s. From basic electrical wiring, shifting magnetic filings, strobe lighting and pixelated glass panels placed over TV screens through early computer programming and video techniques to LED lights, most remains surprisingly relevant, clearly exhibiting the hand of the human artist
Assorted audio-visual equipment hire, programming and installation – ADi
Interpreting Lo Ting, a mythical figure believed to be the ancestor of the Hong Kong people, to examine the idea of belonging and loss for communities in diaspora
3 channel edge blended projection with audio
Content coding, audiovisual equipment hire and installation – ADi
Byrne displays panoramic film footage of the 360-degree panoramic display from the natural history diorama at Biologiska Museet in Stockholm, Sweden. Combined with recordings of bird and animal calls, this exhibition explores our relationship with animals and the preservation of the natural environment
Rear projection onto screen fabric framed by a very narrow bezel aluminium framework. Screen fabrication and installation – ADi
Photography – Rob Harris courtesy of Towner Gallery
Aga Khan Centre Gallery – Farkhondeh Ahmadzadeh ‘The Seven Pavillions of Love’
An exhibition of miniature paintings inspired by a romantic allegorical poem of the medieval period written by Persian poet Niẓāmī Ganjavī in 1197 depicted and calligraphically scribed by Ahmadzadeh who has worked as a highly skilled manuscript painter for over 20 years
Art handling and installation, hand painted wall graphics, vitrine fabrication, audio visual installation, floor vinyl carpet production and installation – ADi
‘Confronting the histories of violence and wealth on cotton plantations in the Southern United States, Talking Back to Power proposes a reclamation of black visibility’ A series of formal self portraits where C Rose Smith poses in the homes of original cotton plantation owners on location in Tennessee, South Carolina and Louisiana
Art installation, audio visual equipment hire, installation and media preparation – ADi
Sadie Coles HQ – Matthew Barney ‘Secondary: light lens parallax’
To produce 252 square metres of continuous full colour moving image on the gallery’s perimeter walls ADi installed thirteen Epson EB-PU2220 20,000 lumen projectors with UST lenses plus three more for the introduction wall.
Photography: Installation views by Hugo Glendinning. Courtesy Refik Anadol Studio and Serpentine.
The ceiling projection in the first of the central gallery spaces required a single large scale screen. We built a truss at ground level, stretched the screen fabric over it and raised it by electric hoist to the ceiling. Watch clip https://youtube.com/shorts/SIlO4Yeo7xs?feature=share We then installed two floor based Panasonic PT-RQ25K, 25,000 lumen projectors with UST lenses.
The second central gallery space features eight 85″ Samsung The Frame QLED screens
Serpentine Galleries – Barbara Kruger ‘Thinking of You. I mean Me. I mean You.’
Featured image: Untitled (I shop therefore I am), 1987/2019 Single-channel video on LED panel, sound, 57 sec.
ADi installed multi channel projections, numerous LED walls
left: Untitled (No Comment), 2020 Three-channel video installation, colour, sound, 9 min. 25 sec right: Untitled (Artforum), 2016/2020 Two-channel video installation, silent, 4 min. 42 sec.
left: Untitled (Your body is a battleground), 1989/2019 Single-channel video on LED panel, sound, 1 min. 4 right: Pledge, Will, Vow, 1988/2020 Three-channel video installation, sound, 5 min. 35 sec
Audio visual content preparation, equipment supply and installation -ADi
Photographs courtesy of Serpentine Galleries. Photography- George Darrell
Gagosian Gallery, London – Douglas Gordon ‘All I need is a little bit of everything’
An exhibition exploring the impact of women on the evolution of technology. It includes the following artists: Violeta Ayala, Yarli Allison, Lisa Jamhoury, Rebecca Smith, Rebecca Allen, Donna Cox, Nonny de la Peña, Toni Dove, Claudia Hart, Margaret Minsky, Ellen Sandor, Nicole Stenger, Tamiko Thiel, and Peggy Weil.
Art and audio visual installation, display furniture fabrication, graphics and photography – ADi
‘Viva Voce’ Keith Piper, 2024. Multi-channel video installation. 22 minutes
A film installation, commissioned in response to the Rex Whistler mural ‘The Expedition in Pursuit of Rare Meats’ which was painted directly onto the walls of a lower floor restaurant in Tate Britain in the 1920’s